The 355 is an unambitious action film, and no one involved did much to make it interesting.
It’s a movie from a filmmaker who’s sat with herself for much longer, sorted some things out, and is working in a culture that’s just beginning to catch up to her.
No, the myth that superhero movies have to choose between being bombastic, money-making productions or contemplative allegories is just that, a myth, and Zhao had the potential to bring the false dichotomy crashing down. Unfortunately, the picture she’s made may just reinforce it.
Smaller in scale than recent outings and less afraid of its characters’ emotions, it introduces the wayward but destined for greatness Shang-Chi with plenty of the tricks the MCU used to create its box office supremacy while finally pushing the series in a mildly different direction.
Jungle Cruise is not the artistically devoid offering you may have feared, but it’s not stretching itself to be anything too great, either. Instead, it settles for being a lark, and its winning cast nails the frivolous good time it aims to be.
That Black Widow doesn’t find the right way to tell one of [the MCU’s] most serious stories to date is frustrating, especially considering it comes off as a mere tepid misfire.
In stripping away (or not building upon) the character beats and the hanging existential dread, they produced a lean, mean little thriller, one that satisfies in the moment but ultimately builds to nothing.
In the wake of these satisfying battles, the lightness with which the humans are handled isn’t a killjoy.
A movie that is fascinating in its first half, which is basically a feature-length setup full of promising starts and weird asides, but peters out as the plot kicks in and real structure must be applied. It thrives on Snyder’s idiosyncrasies , and while I can’t in good conscience call it a success, it’s just about the best such an ill-conceived mess could’ve ever become.