It’s a movie from a filmmaker who’s sat with herself for much longer, sorted some things out, and is working in a culture that’s just beginning to catch up to her.
Tag: Yahya Abdul-Mateen II
These mild ups and downs leave us with a lackluster entry in a franchise saddled with ambitious but thorny ideas. It’s far from a disaster, but the taste it leaves in your mouth isn’t sickening so much as it is bitter. Horror with these sorts of themes shouldn’t leave you feeling good, but the discomfort should come from it rattling uncomfortable truths, not mishandling them.